Natural Light Shooting
Penn University
A couple of weeks ago I photographed a student named Andrew Frechinella. He is attending Penn University in Philadelphia. I shot him on the UPenn campus in the University City district of Philadelphia. He’s wrapping up his very own PhD and was looking to try his hand at a bit of modeling.
I always love shooting in new locations, especially interesting new locations. The campus at Penn lacks no character, space, architecture, or visual interest of any kind. It’s a really great atmosphere. On campus has a certain look and feel, and only a few block from campus a very different look and feel, I love it! Versatility of location is always a major plus.
Wandering
We began the afternoon (very sunny afternoon) by wandering around outside of Penn first and explored some alleyways and streets and ventured onto the college grounds. Andrew was a rock-star, we took advantage of a construction site, empty café, and paparazzi’d a few random students (some of the best photos of the day, just kidding ;) ) and he killed it on campus, off campus, everywhere we went.
Production Shots
I really need to start taking some photos of myself taking photos… or rather have my assistant (typically my Uncle) handling a second camera and snapping some production shots so you can get a sneak peak, behind-the-scenes look at what I do. Maybe next time, there’s always (usually) a next time.
Technical Nonsense
Because of the insane sunlight (which is really not very good for great portrait photography) I stayed away from lighting anything with strobes or off-camera flash, instead I hung out with a pair of reflectors. A Westcott 6’ x 4’ reflector panel (Sunlight & Silver) as well as a smaller Silver & White 30” Lastolite reflector. In sunlight these things work like a charm and can light very well, put them in the hands of someone who can feather the light and make adjustments on the fly for you, and you’ve got a killer lighting setup; all with one measly little reflector (and one giant continuous light we call the sun).
I shot almost everything at f2.8 and around 1/200th of a second except when photographing into the sun; I adjusted for greater depth of field and stopped down to f8.0 and around 1/100th of a second for those shots. Throw in the reflector bouncing that intense sunlight back into the subject and you get great light. My ISO stayed at 100 all day.
I made a concerted effort to get away from shooting at a longer focal length this time around and stayed with my 50mm (nifty 50) and my 24-70mm f2.8. I miss the flat, compressed look of the telephoto but love the way it made me work using this lens and not having the 70-200mm to “fall back on”. Since that shoot, I’ve been using the 24-70mm a whole lot more. Objective. Completed.
Thanks!
A big shout out to Andrew for hanging around all afternoon with me and being totally cool with everything I asked him to do, job well done man! Also a shout out to my Uncle Chris for the excellent setup, reflector-holding, idea-bouncing, goodness; having an extra set of hands makes impractical or impossible shots practical and possible.